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Immateriality. Materiality. Metamorphosis. The digital eye attempts to retrace its genealogy to find the primordium of the image, revealed only through intra-observing. The Panasonic Lumix DMC-FZ300 then concerns its mirage as a self-reflexive mode of image production, the perceptibility and imperceptibility of auteurship, and movement/projection as a meaning-(de)maker and metonym/antonym of reality.
