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Coca Strip was shot in a bathtub. The film is a visual representation of the ‘Coca empire’s artificially flavored, canned music. A black and white walk in the subterranean ruin of the Empire builders alone with Felix the cat. Pursued by submissive, radar-controlled dogs, in a shadowy world with no return. Hanging in the umbilical cord of Imperialism, force-fed and preserved on the point of total disintegration before final misery.’ (Olle Hedman, 1991)
