Ryan Trecartin (Director)
Rachel Lord
Story Telling Significance Yet/Elegant Audition Chick Line Item
Brian Bellot
Significantly Animated Human Country Chick Arrangements
Nina Bierlein
Basic Animated Concept Babe
Seth Bogart
Ugly Normal Animation Hat
Telfar Clemens
British Stunt Voice Over
Shailaun Manning
Basic Sorority Audition Troll
Murphy Maxwell
Significant Blue Animation with Birds/Significant Red Animation
Allichia Ornelas
Audition Rental/Stunt Chicken Breakaway
Annie Pearlman
Significantly Animated Human Country Chick Arrangements
Renee Plaza
Animation Timing
Colin Self
Significant Lovers Watch
Dell Trecartin
Significant Dirt on Bird Man Animation
Ryan Trecartin
Stunt Director Voice Over
Anna Vindel
Audition Rental/Stunt Chicken Breakaways
Holcombe Waller
A Significant Animated Boy Band Bitch
Allison K Powell
Guided Experimental Stunt Scaleability/TK
Jackie Mason
Basic Animated Concept Babe
Danny Sanchez
Audition Rental/Stunt Chicken Breakaways
Lizzie Fitch
Witness (Camera On) Audition Bitches/Division Blonde
Lola Sinreich
Witness (Camera On) Rentals
Rich Harnett
Lindsay Beebe
Most Significant Animations Yet
Drew Miller
Camera On Essential Behavior Spots
Percy
The Most Significant Cat Animation to Date
Matthew Lawton
Next Normal Shit/Boy Manager Band Behavior
Chris Moukarbel
Animation Comments
Kevin McGarry
On This Level Yet
Bo Barnes
The Most Significant Unity Prep Yet
Jesse St John
The Most Significant Unity Prep Yet
Frank Fernandez
The Most Significant Unity Prep Yet
Seth Gottesdiener
The Most Significant Unity Prep Yet
Oliver Daly
Realistic Animation Steps
Luke Gilford
Realistic Animation Steps
Lain Kay
World Tour Reincarnation Techniques
Annakim's Horse Nala
Significant Basic Horse Animation Standard
Annakim Violette
Realistically textured Audition Chick
Jillian Alexander
Realistically textured Audition
Tierney Finster
Ugly Normal Animation Hat
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In Item Falls, we are peaking. We start out at a casting call, but before long we're firmly in the grip of hallucination, shedding our anxieties and evidently regressing to the animation era, a time when stunt chickens were mere chicklets. Friendly archetypes float in and out of what seems like our bedroom. The red-headed Jenny has returned, but this time she's squeaky and trusting. Unlike in Center Jenny, here our perspective is literally centered. The camera seems to be the in middle of the room, which is good, because we're too blissed out to move. Luckily, our hallucinations look directly at us.
