No trailers or clips available.
In the artificial environment of the reed fields, wind and fire—elements of nature—follow the rules of the artificial. As a result, nature is made abstract, giving rise to a new form of beauty distinct from the natural state. For the twelfth film in the series The Stream, I did not limit the stream to liquids, but extended it to include the air. I shot wind, flames, smoke, and clouds as motifs representing the air.
