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Arthur Crabtree

Arthur Crabtree (29 October 1900, Shipley, Yorkshire, England – 15 March 1975, Worthing, Sussex, England) was a British cinematographer and film director. Crabtree earliest credits as a cinematographer working on such films as the Will Hay comedies Oh, Mr. Porter! and Good Morning, Boys (both 1937) and Hey! Hey! USA! (1938), the Arthur Askey vehicle Charley's (Big-Hearted) Aunt (1940), and The Man in Grey (1943) and Fanny by Gaslight (1944) for Gainsborough Pictures. Crabtree continued his association with Gainsborough as he started his directorial career, beginning with the melodramatic fantasies Madonna of the Seven Moons (1945), starring Phyllis Calvert and Stewart Granger and Caravan (1946). His last two films were Fiend Without a Face (1958) and Horrors of the Black Museum (1959), a science fiction and horror, respectively, both of which have become cult favourites, although the former enjoys a better critical reputation. He also directed episodes of television series such as The Adventures of Robin Hood and The Adventures of Sir Lancelot (both 1956). Description above from the Wikipedia article Arthur Crabtree, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Born: 1900-10-29 • Shipley, Yorkshire, England, UK • 36 titles

Known For - Page 2

Known For

Hindle Wakes
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Movie•1952

Hindle Wakes

Kipps
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Movie•1941

Kipps

Hey! Hey! USA
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Movie•1938

Hey! Hey! USA

South American George
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Movie•1941

South American George

Charley's (Big-Hearted) Aunt
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Movie•1940

Charley's (Big-Hearted) Aunt

They Were Sisters
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Movie•1945

They Were Sisters

Fanny by Gaslight
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Movie•1944

Fanny by Gaslight

Quartet
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Movie•1948

Quartet

Madonna of the Seven Moons
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Movie•1945

Madonna of the Seven Moons

Convict 99
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Movie•1938

Convict 99

Bank Holiday
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Movie•1938

Bank Holiday

Waterloo Road
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Movie•1945

Waterloo Road

The Man in Grey
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Movie•1943

The Man in Grey

Horrors of the Black Museum
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Movie•1959

Horrors of the Black Museum

Dear Murderer
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Movie•1947

Dear Murderer

Fiend Without a Face
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Movie•1958

Fiend Without a Face